奥斯卡王尔德英语简介.doc
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1、奥斯卡王尔德英语简介 奥斯卡王尔德人物思想Wildes devotion to the philistine philosophy and hypocritical morality of British society, he used the beauty of art to confront the ugly in the vulgar reality. He believes that the United States above all else, art is higher than life, the beauty of art and value does not exist
2、 in life and nature, art should be detached from life. He said: All the bad art is returned to life and nature caused by, and is the life and the natural rise to the ideal results. Also said: The only thing that is beautiful is nothing to do with us. Art more abstract , Super-idealized, the more we
3、reveal the characteristics of the times. He opposed materialism, but also against the naturalism and realism of the creative principles. He said: The abomination of realism in the nineteenth century is like the wrath of the Kleban classes who see their faces from the mirror. And as a way, realism is
4、 a complete failure. One of the two things that an artist should avoid is the modernity of the form and the modernity of the subject. Thus he advocates writing beautiful and untruthful stories , the so-called lying works, the hero of his aesthetic works, Whether it is Dorian Gray, Salome, or Happy P
5、rince, are unrealistic, fictional, and exotic; the background of these peoples activities are also surreal, man-made imagination, away from life.Wilde firmly believes that the independent life of the art and their own value, follow the decadent faction, against the utilitarian nature, advocate that
6、art is not subject to moral constraints, the artist should be absolute freedom and pride independent. He said: The purpose of the art is to show the art itself, the artist is the creator of the works of the United States . the artist is not ethical and evil, book does not matter moral immorality. al
7、l art is useless In addition to the performance of their own art, do not show anything, it and thought, like an independent life, and purely according to their own line of development. So he was obsessed with the pursuit of art form beauty, and asserted that only the style can make the art immortal.
8、 Since the purpose of art is to create beauty, and the purpose of beauty is only their own, then how can we create this pure art, pure to come? He under the socialist soul to answer that the beauty of art Is a unique temperament without any constraints of the artist just to enjoy the creative purpos
9、e of pure, imagined to create out. He emphasized the beauty of the United States, subjectivity and enjoyment. This beauty is beyond the beauty, sublimation of the United States, ethereal beauty, mysterious beauty, but also Kants aesthetics with the attachment beauty against the free beauty. This kin
10、d of beauty produced by the joy, not simply the function, the feeling of happiness, but the joy of free life, for the beauty of the paradise and immersed in which the joy. In the theme of the portrait of Dorian Gray and the spiritual and flesh clamor revealed by Salome, what we see is the claim of W
11、ildes spirituality. There is an aestheticism in the indulgence of Salomes persistent pursuit of beauty and love and embracing death. This philosophy is a sharp criticism of the material society and mediocrity at that time. It can be seen that Oscar Wildes aesthetic claim is, in fact, not entirely su
12、per-utilitarian and artistic self-contained.Life is imitation of art, life is in fact a mirror, and art is real. That is to say, not art reflects life, but life imitates art. Naturally only after the artists transformation can exist, so the natural is the imitation of art. In his view, with Hamlets
13、pessimism, modern pessimistic thinking, with the poet, the painter wrote the fog of London, people realized that London has beauty fog. So he advocated life to art, rather than art to be biochemical. So he fell to the top of the art and life, the relationship between art and nature. From the point o
14、f view of the surface, this view enhances the position of art, but from the deep analysis, it denies the value of the art of cognition, and thus denies the meaning of art itself. But Wildes point of view is not complete, and he recognizes the interrelationship of art and life in another place and th
15、e existence of art for life imitation. The tragedy of Wilde is that his series of aesthetic claims lack the inherent unity of materialism, and finally leads to a series of errors and contradictions in theory and practice. But this is not to say that Wildes aesthetic claims, theory, practice, and his
16、 aesthetic exploration are of no value and worthy of study. On the contrary, it is a positive idea to reject the degeneration of art and to defend the purity and independence of art.奥斯卡王尔德写作特点fairy taleAlthough Wildes tragic fairy tale works regardless of the story is hidden behind the same sex or t
17、he opposite sex of the affair, his language used to modify the language of love almost a flashy beauty, but this beauty for the secular love of the ultimate disillusionment and disappearance of the matter , To be able to achieve the perfect only love of Christ and supreme art. As Wilde himself says,
18、 the purpose of art is not simply real, but complex beauty. He presents a tragic story of aestheticism in a unique narrative way, creating an unspeakable beauty.Compared to the tragic fate of the Greek tragedy, Shakespearean drama humanist lonely pain, Hemingways never-ending tragedy heroic spirit,
19、he narrates is the beauty of life and sorrow - the ordinary life of love, the spirit of the world Beauty, and the destruction of the two to the great pain of the human mind, highlighting the divine salvation and fate of Christ. Wilde did not repeat the prince and the princess happy to live a hundred
20、 years of cliche, do not express good and good evil evil report of the good wishes, only a kind of indifferent tone to describe the tragedy, with the characters staggered perspective and vision Let the reader hear the long sigh of the fish, the nightingale last life if the hairspring song, the dwarf
21、 mourn cry and his heart rupture sound. As an implied author, he has always been silent on the story of the characters, so that Christs death in the call to become a farewell tragic fate of the best end of the ceremony. He repeatedly inquired about the contradictions and paradoxes that existed in li
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