影视录音常用设备.ppt

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1、影视录音常用设备,Sound system,What we need?,ProductionMicrophoneMixerRecorderPostproductionDAWPost recording systemSound mixing system,Production sound systems,microphone cameramicrophone mixer cameramicrophone mixer recordermicrophone pre amplifier mixer recorder,Equipments,MicrophonesWireless SystemsBoomp

2、olesMixersRecordersCommunicationPlayback SystemsPower SolutionsWalkie TalkiesSound ControlAccessories,Microphones,ShotgunsLavaliersStereosSurrounds,Microphones _shotguns,ShotgunsSennheiser MKH 416 Short Shotgun MicSennheiser MKH 60 Super-cardioid Condenser ShotgunSennheiser MKH 70 Long ShotgunSennhe

3、iser ME 66 Super Cardioid CondenserSchoeps CMIT5U Super Cardioid Shotgun MicSanken CS-1 Short Shotgun MicSanken CS3e Super-cardioid Condenser ShotgunNeumann KMR 81 ShotgunNeumann KMR 82i Long Shotgun,How to choose shotguns?,Frequency responseLow cutHigh frequency boostOut-of-axis frequency response

4、Directional patternCardioidSuper-cardioidEffective pick-up angle(3dB sensitivity decreasing)cardioid 1300,super-cardioid 300-400Sensitivity Dynamic range,Sennheiser MKH 416,Power Supply:P or T,Sennheiser MKH 60,Sennheiser MKH 70,Sennheiser MKH 416 vs.60 vs.70,Sanken CS-1,Short shotgunVery sharp dire

5、ctivity in a 181.5mm length bodyFlat frequency response beyond 20kHz(on axis)High sensitivity-30dB/PaAccepts high SPLs.More than 137dB SPL(1%THD).With no distortion in close miking.Narrow angle directivity over the entire frequency range.Overrall rear rejection.22dB/20kHz.18dB/10kHz.27dB/1kHz.27dB/2

6、00Hz.Light weight.Only 100g.Easy to operate on a boom pole.,Schoeps CMIT 5 U,Low coloration of off-axis soundEven greater immunity to wind noise than a SCHOEPS super-cardioidDirectionality increases smoothly with higher frequencies,which results in a very balanced sonic characterCapsule and amplifie

7、r are built as a single unit,Schoeps CMIT 5 U _more,The sound quality of the CMIT 5 remains consistent even if the microphone is rotated on its axis,since its directional pattern is the same in both the vertical and horizontal planes.,Schoeps CMIT 5 U _more,Three pushbutton-activated filters allow t

8、he microphone to adapt to the recording situationHigh-frequency emphasis(+5 dB at 10 kHz)enhances speech intelligibility,and compensates for high-frequency loss caused by windscreens;A steep low-cut filter(18 dB/oct.below 80 Hz)suppresses wind and boom noise;A gentle low-frequency rolloff(6 dB/oct.b

9、elow 300 Hz)compensates for proximity effect.,Microphones _supercardioid,Schoeps MK41Schoeps CCM41,Schoeps MK41 and CMC 6,Supercardioid with highly consistent directionality throughout its frequency range.High directivity,comparable to that of a short“shotgun“microphone up through midrange frequenci

10、es.off axis attenuating even more than with a cardioiddirectivity is highly independent of frequency,even sounds arriving off axis and reverberant sound are registered without colorationThe pickup is“drier”and less susceptible to acoustic feedback than any other SCHOEPS capsule typeEven distant plac

11、ement of the capsule produces a very natural sound pickup.This is a real advantage over interference-tube“shotgun”microphones,whose directivity is very frequency-dependent exceeding that of a supercardioid only at higher frequencies.Interference-tube microphones are notoriously sensitive to their po

12、sition in a room,where the shifting patterns of reflections cause corresponding shifts in sound color.Good to use in room.,Schoeps CCM41,Similar to MK41Compact mic,Schoeps vs.416,Schoeps话筒比416话筒更敏感，手持噪声和移动话筒的噪声都容易串入，用于同期录音时一般在前级加高通/低切滤波器。该配件需单独购买。,Microphones _lavaliers,LavaliersCountryman B6/B3 Min

13、iature Omnidirectional LavCountryman EMWLectrosonics M150 Omnidirectional LavSanken COS-11 Omnidirectional LavSennheiser ME 2 LavSennheiser MKE-1/2 Omnidirectional LavTRAM TR-50 Omnidirectional LavSony 77B/ECM-88,How to choose lavalier?,Nice soundingOmni-cardioidLess positioning problems(people movi

14、ng their head all the time)Less sensitive to wind and popingGood matching to boom micDynamic range(low distortion at high SPL)RF interference resistancePower supply(from AA battery or 48V phantom power on mixer or recorder)Easy to hide,Countryman B6,Smallest lavalier in the worldonly one tenth of an

15、 inch(0.1 inch,2.5mm)in diameterEasily hidden in hair/costumes or glued on performers faces in film,theater and broadcastChangeable protective capsMoisture resistanceColor options(6 colors)Shape the frequency response for different situations or to match other microphonesLow distortion at SPL up to

16、150dB on 48V phantom powerLow handling noiseExcellent rejection of surrounding noiseHigh quality audio,Countryman B6 kits,B6 lavalier microphoneKevlar cableCapsWindscreenTie clipsCarrying case,Countryman B3,Similar to B6,but cheaper0.2 inch in diameterMoisture and perspiration resistant when used in

17、 hair,on the body and in bad weather,Countryman EMW,Omni-directionalVery low rubbing noiseHighly moisture resistanceAllows use near water or in intense weather,Sanken COS-11D,Overcomes digital transmitter RFI(radio frequency interference)Water resistantImproved moisture resistanceOriginal vertical d

18、iaphragm designOptimized for human voice,Sennheiser MKE 2-ew Gold,Omni-directionalMax SPL 142dB,Sennheiser ME2 Lav,Use with evolution wireless SK bodypack transmitters,TRAM TR-50,Miniature Omni-directional Electret Condenser Microphone Minimum sound coloration for universal use Easily combined with

19、boom microphones Tiny,lightweight and compact;easily concealed Extensive range of mounting accessories Wide frequency response Very low rubbing noise Internal battery or 12-48V phantom power*(*with positive bias version only)Detachable 250 Q power supply Available in 4 colors:black,gray,white,tan La

20、rge range of connectors for direct use on a wireless transmitter Strong,durable and reliable,Microphones _stereo,StereoSanken CSS5 shotgun stereo micSanken CMS-10Schoeps CMIT M/S setSchoeps CCM 8&CCM 4/41 M/S setNeumann RSM 191 M/S setSennheiser MKH 418S shotgun M/S micSennheiser MKH 30/60 M/S set,S

21、anken CSS-5,First stereo shotgun3 mode switchable MONO(shotgun)Normal STEREO(1200)Wide STEREO(1400)Superb rear rejection at 180 degrees even in low frequenciesMONO-STEREO compatibility.Mono and phantom center have the same sound characteristics,Sanken CSS-5,MONO modesharp directivity is maintained o

22、ver a wide frequency range for the aimed frontal sound sources,using the combination of a second gradient microphone and a line microphone.It is significant that the CSS-5 picks up the chosen sound source very clearly even in a noisy ambient situation or in a long reverberation space.Normal modepick

23、s up the targeted sound as well as extremely accurate stereo localization.STEREO angle is 120.Wide modedesigned for stereo recording of sound effects and environmental information where dialogue will be dubbed in at a later date.This mode allows a wider 1400 stereo width.Mono-Stereo CompatibilityIn

24、stereo recordings,the frequency response of the MONO summed output often exhibits interference,or comb filtering.This phenomenon is caused by phase differences between the Left and Right signals.This does not occur in single point recording.,Sanken CMS-10,Switchable mode Very sharp mono-shortgunSter

25、eo(with pick-up angle 1270)Short length(210.5mm)and light weight(170g)Using PPS diaphragm.It maintains high durability and quality even in high humidity environmentsSpecially designed suspension holder.Can isolate camera motor noise in camera mount useBasic design is M-S.but it include M-S to L-R ci

26、rcuitry.and allows a direct L-R signal,Schoeps CMIT M/S set,Complete set for M/S stereo with shotgun microphone CMIT 5 U for the M channel and a CCM 8 Lg compact microphone in the S channel,Schoeps CCM 8&CCM 41 M/S set,CCM 41/MK41 for“M”signalCCM 8 for“S”signalCan be set up at quite some distance fr

27、om the sound source,Neumann RSM 191 M/S set,One hyper-cardioid capsuleOne figure-8 capsuleMTX 191 A matrix amplifierAdjustable pick-up angle and high directivity1700、1500、1250、1000、750、600,Neumann RSM 191 M/S set,Capsules in detail and connector,Sennheiser MKH 418S M/S mic,Shotgun M/S mic,Sennheiser

28、 MKH 30/60 M/S set,MKH 60 super-cardioidMKH 30 figure-8,Microphones _surround,SurroundSanken WMS-5 5.0 surround microphoneSchoeps Double M/S surround microphoneSchoeps IRT Cross surround microphone,Sanken WMS-5 5.0 surround mic,Worlds first 5-channel surround mic self-contained in one mic body5 surr

29、ound outputs(L/C/R/LS/RS)Compact size235mm(length),235g(weight)Precise phase coherent M.S.M capsule layoutMS to LR Matrix circuitry in the mic bodyIdeal 5.0 sound localization,Sanken WMS-5 5.0 surround mic,How does it work?(Double MS)The front“M”capsule is used for both C and front L,RThe“S”signal i

30、s for front L,R and rear LS,RSThe rear“M”capsule is used for LS and RSFor precise phase coherent,front M,back M and S capsules are set vertically on the same axisThe front“C”capsule has shotgun directivityStereo angle is 1200(L/R,LS/RS),Schoeps Double M/S surround mic _supercardioid,A front-facing c

31、ardioid or super-cardioid“mid”mic and a figure-8“side”mic,a rear-facing directional mic,Schoeps Double M/S surround mic,Appearance,Schoeps Double M/S surround mic _shotgun,CMIT Double M/S set,Schoeps IRT Cross surround mic,With compact mic CCM 4/41For ambient recordingTransparent and spacious render

32、ing of the acoustic environment,Wireless systems,LectrosonicsSennheiserZaxcomRamsa,How to choose wireless systems?,Frequency rangeStability True diversityAuto dynamic controlPower Concern to effective working distancePower supply _AA battery or DCNoise restraining,Lectrosonics 400 Digital System,One

33、 UM400 transmitterOne UCR411 receiverOne M-150 lav or COS-11 lav,Lectrosonics 200 System,One UM200C transmitterOne UCR201 receiverM-150 or COS-11 lav,Lectrosonics Quad Pack System,(4)UM400 transmitters(4)UCR411A receiver(4)COS-11 lavsA rack mount with power supply,Lectrosonics UH400,Plug-on transmit

34、terMostly for hand-held mics,Sennheiser Evolution G3 System,SK 500 G3 bodypack transmitterEM 500 G3 rack-mount receiverMKE-2 gold lav,Sennheiser Evoluation G2 System,One SK100 or one SKP plug-on transmitterOne EK100 receiverME2 or COS-11 lav,Sennheiser transmitter and receiver,Body pack transmitter

35、SK100Portable receiver EK100True diversity receiverPortable EK3241EM100G2,Zaxcom stereoline digital system,Stereoline digital stereo transmitterENG digital receiverCOS-11 lavs,Boompoles,K-TekAmbientVDBPSC,K-Tek,Easy to go?Light?All in one?,K-Tek K-152,Short pole for film,long pole for video5 section

36、s,from 91cm to 386cmAvailable wired with internal cable and bottom or side connector base,or unwired,K-Tek K-202,Standard film production pole5 sections,from 116cm to 513cmAvailable wired with internal cable and bottom or side connector base,or unwired,K-Tek K-102,Most popular for video5 sections,fr

37、om 60cm to 267cmAvailable wired with internal cable and bottom or side connector base,or unwired,K-Tek Avalon KE-110,Designed for ENG,EFP,DV Production5 sectionsInternally wired,Female and male XLR,Ambient QP 480,Standard boompoleLength 105-350cmWired or unwiredMono/stereo line for wired pole,Ambien

38、t QP 4140,Standard boompoleLength 154-540cmWired or unwired,Ambient QX 580,For ENG and video market5 sectionsLength 80-330cm,VDB,Medium 60cm-275cmExtra large 110-560cm,PSC elite medium,5-section carbon filterLength 66cm-251cm,Microphone Accessories,Wind restrainingFoam windshieldZeppelin windshieldW

39、indjammerSuspension,Rycote full windshield kits,FoamWildshieldSuspensionWindjammerPackage case,Mixers,Sound DevicesAudio LtdSonosax,How to choose field mixers?,Portable(small,light,powered by AA or DC)Mic/line input channelsPhantom/T powering supplyMeter monitor(peak and VU)Simple EQ and filtersOSC(

40、1kHz at least)Output(mono/stereo/multi)Monitor signal selectableCueTalkback,Sound Devices 442,Portable mixer for production,ENG and film4 transformer-balanced mic/line level input on XLR connectors2 transformer-balanced line/tape/mic level output on XLR connectorsContinuously adjustable input trimVa

41、riable high pass filterContinuously variable pan controlPhantom or“T”mic powering per channelSolo(PFL)monitoring in headphonesOn-board MS stereo matrixPeak limiters per channel,Sound Devices 442,Front,input and output panels,Sound Devices 552,Portable production mixer with integrated two-track,digit

42、al audio recorder writing wave files to SD or SDHC media.5 mic inputs with two stage gain control,limiter,variable high-pass,and solo monitoringPre-or post-fader direct outputs per inputMultiple,balanced output connections,including 2 XLR,Hirose 10-pin and TA3AES/EBU output option,on either XLR or 1

43、0-pin multi-pin,two connections for 4 channels of digital output,sampling rates up to 96kHz,Sound Devices 552 _front panel,Sound Devices 552 _input panel,Sound Devices 552 _output panel,Sound Devices 302,Compact production field mixer3 transformer-balanced mic/line level inputs on XLR connectors2 ac

44、tive-balanced line/tape/mic level outputs on XLR connectorsStereo and MS linking of channel 1 and 2,Sound Devices 302,Front,input and output panels,Audio AD146,Portable location mixer6/8/10/12/18/24 inputs,4/2 outputsMS matrix,Audio AD245,Portable location mixer2 stereo outputs,Audio AD261,ENG field

45、 mixer,Shure FP33,3 inputs,2 outputs,Recorders,Sound DevicesAATONNagraFostexHHBSonosax,How to choose recorders?,Portable(small,light,powered by AA or DC)ChannelsRecording mediaTimecode functionConnectorsLevel adjustmentMonitorStill need mixers?Mic amplifierInput level adjustment for each channelChan

46、nel routingMonitor modes shifting,Sound Devices 788T,Input connectors4 Mic/Line/AES XLR4 Mic/Line TA34 AES DB15Output connectors4 balanced-analog line/AES TA31 AES DB15160G hard disk&CF card&external hard disk12 channelsWith Timecode,Sound Devices 744T,Input connectors2 Mic/Line/AES XLR2 Line TA3Out

47、put connectors2 line TA32 AES BNC80G hard disk&CF card&external hard disk4 channelsWith timecode,Sound Devices 702T,Input connectors2 Mic/Line/AES XLR1 AES BNCOutput connectors2 line TA31 AES BNCCF card&external hard disk2 channelsWith timecode,AATON CANTAR 2,Input connectors5 Mic XLR3/XLR54 Line XL

48、R58 AES SUBD15Output connectors1 line XLR8 AES SUBD1580G hard disk&DVD8 channelsWith Timecode,Nagra,King of analog eraNagra 4.2(double mono,analog tape inch)Nagra 4S(stereo,analog tape inch)Nagra D(open-reeled digital tape)Nagra V(hard disk),Fostex FR-2&FR-2LE,Fostex PD606,8 tracksRecord to internal

49、 HD/DVD-RAMOn-board 6 channels mixer,Communications,HME DX100PSC,Sound Control,AuralexPSC HUSH HEELS,Accessories,Sound cartHeadphonesSony 7506Beyer-dynamic DT48隔音效果好CablesPower solutions,Production kits,ENG kit,Cool cart?,Where to get your production kits?,Buy 鼎润公司Rent北影厂鼎润公司,Homework,Shure FP33 manualFostex FR-2 manualSound design theses reading reportTest record,