全国职称英语卫生类新增文章考试重点文章 【通关必备】.doc
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1、第二部分阅读判断第九篇What Is a Dream?For centuries, people have wondered about the strange things that they dream about. Some psychologists say that this nighttime activity of the mind has no special meaning. Others,however, think that dreams are an important part of our lives. In fact, many experts believe t
2、hat dreams can tell us about a persons mind and emotions.Before modern times, many people thought that dreams contained messages from God. It was only in the twentieth century that people started to study dreams in a scientific way.The Austrian psychologist, Sigmund Freud1,was probably the first per
3、son to study dreams scientifically. In his famous book, The interpretation of Dreams (1900), Freud wrote that dreams are an expression of a persons wishes. He believed that dreams allow people to express the feelings, thoughts, and fears that they are afraid to express in real life.The Swiss psychia
4、trist Carl Jung2 was once a student of Freuds. Jung,however,had a different idea about dreams. Jung believed that the purpose of a dream was to communicate a message to the dreamer. He thought people could learn more about themselves by thinking about their dreams. For example, people who dream abou
5、t falling may learn that they have too high an opinion of themselves. On the other hand, people who dream about being heroes may learn that they think too little of themselves.Modern-day psychologists continue to develop theories about dreams. For example, psychologist William Domhoff from the Unive
6、rsity of California, Santa Cruz,believes that dreams are tightly linked to a persons daily life, thoughts, and behavior. A criminal, for example, might dream about crime.Domhoff believes that there is a connection between dreams and age. His research shows that children do not dream as much as adult
7、s. According to Domhoff, dreaming is a mental skill that needs time to develop.He has also found a link between dreams and gender. His studies show that the dreams of men and women are different. For example, the people in mens dreams are often other men, and the dreams often involve fighting. This
8、is not true of womens dreams.3 Domhoff found this gender difference in the dreams of people from 11 cultures around the world, including both modern and traditional ones.Can dreams help us understand ourselves? Psychologists continue to try to answer this question in different ways. However, one thi
9、ng they agree on this: If you dream that something terrible is going to occur, you shouldnt panic. The dream may have meaning, but it does not mean that some terrible event will actually take place. Its important to remember that the world of dreams is not the real world.词汇:psychologist / sakldst /
10、n心理学家psychiatrist /sai kaitrst/ n精神病学家(医生)Austrian / strn / adj奥地利的gender / dend / n性别注释:1Sigmund Freud西格蒙德弗洛伊德(18561939),犹太人,奥地利精神病医生及精神分析学家。精神分析学派的创始人。他认为被压抑的欲望绝大部分是属于性的,性的扰乱是精神病的根本原因。著有性学三论梦的释义图腾与禁忌日常生活的心理病理学精神分析引论精神分析引论新编等。2Carl Jung:卡尔荣格,瑞士著名精神分析专家,分析心理学的创始人。3For example, the people in mens dre
11、ams are often other men, and the dreams often involve fighting. This is not true of womens dreams.例如,男人做梦会梦到男人,并且常与打斗有关;女人做梦与男人则不同。练习:1Not everyone agrees that dreams are meaningful.ARightBWrongCNot mentioned2According to Freud, people dream about things that they cannot talk about.ARightBWrongCNot
12、mentioned3Jung believed that dreams did not help one to understand oneself.ARightBWrongCNot mentioned4In the past, people believed that dreams involved emotions.ARightBWrongCNot mentioned5According to Domhoff, babies do not have the same ability to dream as adults do.ARightBWrongCNot mentioned6Men a
13、nd women dream about different things.ARightBWrongCNot mentioned7Scientists agree that dreams predict the future.ARightBWrongCNot mentioned答案与题解1A这句话恰好表达了本文第一段的意思。即有些心理学家认为,人脑睡眠中的活动没有特别意义;而有些人则认为,梦可以揭示人的思维和情感。2A第三段的最后一句讲的是弗洛伊德认为梦反映了人们在现实情况下害怕表达的情感、想法或恐惧。此句与本叙述一致。3B第四段的第二句和第三句:Jung believed that the
14、purpose of a dream was to communicate a message to the dreamer.(荣格认为梦的用途是向做梦者传递一个信息)He thought people could learn more about themselves by thinking about their dreams.(他认为人们通过思考所做的梦能够更好地了解自己)。他给出了两个例子来说明他的论点。4C文中没有提及。5A依据第六段,Domhoff研究得出:婴儿不像成人做那么多的梦,做梦是一种需要时间提高的技能。这就说明了婴儿不具备成人做梦的能力。6A本文第七段讲述了做梦与性别的关
15、系。第二句更指出男人和女人做的梦是不同的。7B最后一段的倒数第二句讲的是:梦可能会有意义,但并不表示一些恐怖事情就一定会发生。因而不能预测未来。第十三篇Stage Fright1Fall down as you come onstage. Thats an odd trick. Not recommended. But it saved the pianist Vladimir Feltsman when he was a teenager back in Moscow. The veteran cellist Mstislav Rostropovich tripped him purpose
16、ly to cure him of pre-performance panic,2 Mr. Feltsman said, “ All my fright was gone. I already fell. What else could happen?”Today, music schools are addressing the problem of anxiety in classes that deal with performance techniques and career preparation. There are a variety of strategies that mu
17、sicians can learn to fight stage fright and its symptoms: icy fingers, shaky limbs, racing heart, blank mind.3Teachers and psychologists offer wide-ranging advice, from basics like learning pieces inside out,4 to mental discipline, such as visualizing a performance and taking steps to relax. Dont de
18、ny that youre jittery,they urge; some excitement is natural, even necessary for dynamic playing. And play in public often, simply for the experience.Psychotherapist Diane Nichols suggests some strategies for the moments before performance, “Take two deep abdominal breaths, open up your shoulders, th
19、en smile, she says. “And not one of these please dont kill me smiles. Then choose three friendly faces in the audience, people you would communicate with and make music to, and make eye contact with them.” She doesnt want performers to think of the audience as a judge.Extreme demands by mentors or p
20、arents are often at the root of stage fright,says Dorothy Delay, a well-known violin teacher. She tells other teachers to demand only what their students are able to achieve.When Lynn Harrell was 20,he became the principal cellist of the Cleverland Orchestra, and he suffered extreme stage fright. “T
21、here were times when I got so nervous I was sure the audience could see my chest responding to the throbbing. It was just total panic. I came to a point where I thought, If I have to go through this to play music, I think Im going to look for another job.”5 Recovery, he said, involved developing hum
22、ility-recognizing that whatever his talent, he was fallible,and that an imperfect concert was not a disaster.6It is not only young artists who suffer, of course. The legendary pianist Vladimir Horowitzs nerves were famous. The great tenor Franco Corelli is another example. “They had to push him on s
23、tage,” Soprano Renata Scotto recalled.Actually,success can make things worse. “In the beginning of your career, when youre scared to death, nobody knows who you are, and they dont have any expectations,” Soprano June Anderson said. “Theres less to lose. Later on, when youre known, people are coming
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