美学论文论“游”——中国古典美学范畴研究.doc

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1、论“游”中国古典美学范畴研究 论“游”中国古典美学范畴研究 【摘要】 “游”是中国古典美学的重要范畴。在古典美学领域,以“游”为中心,形成了一个数量可观的范畴群,其强大的理论活力表现在审美活动与文化生活的诸多方面。这些以“游”为核心的范畴虽然形态各异,层次多样,但却都带有“游”的原始胎记。因此,对“游”进行深入细致的研究将有助于揭示审美活动的普遍规律和加深对于中国文化独特性的认识。前人已经充分认识到“游”的丰富内涵并进行了大量的研究,取得了丰硕的成果。但是大部分研究没能从传统文化哲学的整体出发,存在着把“游”局限于某一领域、某一具体范畴的弊端,“游”的来源、内涵、演变等远没有被挖掘清楚。本文把

2、“游”放到传统文化哲学的大背景下来加以考察,视美学与哲学、艺术、宗教、伦理、政治、学术为一个整体,综合利用人类学、心理学、宗教学等成果,运用文献考证、文化分析的方法对其进行研究。首先,对“游”进行历史还原,在旗帜飘带本义的基础上,进而指出旗帜及其飘带的神性因素与原始人对生活现实的体认是“游”复杂性的原始源泉和产生巨大影响的原因。其次,在前人关于儒、释、道三家的“游”研究的基础上,指出“游”从哲学到美学的生成过程及“游”在三家区别和联系。再次,通过对“行游”、“游观”、“神游”三个层次的分析,揭示“游”的审美内涵,说明“游”对艺术创作的影响并描述其发展演变的轨迹。最后,在新形势下对其理论内涵进行

3、适度阐释并挖掘可能蕴含的理论价值,使其更好的服务于当下的艺术与人生。【Abstract】 “You” is one of the important areas in classical Chinese aesthetics in the field of philosophy and culture, To “You” as the center; it forms a group of a large number of areas, in aesthetic activities and cultural life of the theory show a strong vitality

4、. Although there are many differences between these areas, they are all with “You” sign. Therefore, it will help to reveal the aesthetic and understanding of the universal law of the uniqueness of Chinese culture with in-depth and meticulous research on “You”. Predecessors have been fully aware of t

5、he “You” and the rich connotation of mining, and made fruitful achievements. But most of the studies of philosophy cant study it from the whole traditional culture, whit the drawbacks of Restricted it to a particular area.In this paper, the “You” will be examined against the background of the of tra

6、ditional philosophy and culture, Looking at aesthetics and philosophy, art, religion, ethics, politics, academia as a whole, using the results of anthropology, psychology, religion, we carry out the study with the method of textual research and cultural analysis. First of all, let “You” Back to hist

7、ory, basing on the original meaning of the flag, and then pointed out that the banner of God and the ribbons of factors and of primitive people to recognize the reality of life is “You” the complexity of the original source and the reasons of great impact. Secondly, basing on previous studies of “Yo

8、u” in Confucianism, Buddhism and Taoism, we can point out that the process of “You” from the philosophy to the aesthetics and the difference between the three. Thirdly, with the analysis of “You of Physical”, “ You Guan “ and “ You of Spirit “, reveals the aesthetic content of” You “and its impact o

9、f art, describe the evolution of the trajectory of their development. Finally, in the new situation, explaining the meaning of its theoretical and mining its theoretical value will serves the current art and life better.【关键词】 游; 行游; 游观; 神游 【Key words】 You; You of Physical; You Guan; You of Spirit 论“

10、游”中国古典美学范畴研究中文摘要 3-4 Abstract 4 绪论 7-11 第一章 原”游”:”游”的审美基因分析 11-18 1.1 “游”与旗:”游”的神圣来源 11-15 1.1.1 固定的旗:从图腾到礼器 12-13 1.1.2 游走的旗:从采集到战争 13-15 1.2 “游”与生存样态 15-18 1.2.1 “游”与生活环境 15 1.2.2 “游”与生存状态 15-17 1.2.3 “游”与”进” 17-18 第二章 游艺-逍遥-游戏:”游”的美学生成 18-38 2.1 游于艺:成人之道与自由境界 18-24 2.1.1 方内之游 19-20 2.1.2 自由之境 20-

11、24 2.2 逍遥游:向道而游与人生至境 24-27 2.2.1 有待之游 25 2.2.2 无待之游 25-27 2.3 游戏三昧:内在超越与诗意人生 27-33 2.3.1 从庄子到佛禅 28-29 2.3.2 从游方到游戏 29-33 2.4 儒、释、道三家总论 33-38 第三章 行游-游观-神游:”游”的审美层次及创作功能 38-49 3.1 行游:有为而作与自我转化 38-41 3.2 游观:仰观俯察与本质之见 41-44 3.3 神游:艺术构思与审美生存 44-49 第四章 “游”的理论取向及现代意义 49-54 4.1 “游”的理论内涵与价值 49-51 4.2 “游”与艺术人生的构建 51-54 结语 54-55 参考文献 55-58 攻读硕士学位期间研究成果 58