当代散文赏析.docx
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1、当代散文赏析复习重点和考试题型 考试题型 I. Rewrite the following (2x5=10%) 高级英语教与学指南 unit 2, unit 6的rewriting II Paraphrase in English the parts underlined in the following(2x10=20%) 1到2段来自我讲课的重点段落unit 3, unit 7, unit 11, unit 13 III Translate the following parts into English (40%) 1到2段来自我讲课的重点段落unit 3, unit 7, unit 1
2、1, unit 13 IV Writing (30%) 授课重点及复习重点 且特别要好好复习 我讲课的重点段落。 Unit 3 In a primitive society, for example, men pictured the world as large, fearsome, hostile, and beyond human control. Therefore they built heavy, walls of huge boulders, behind which they could feel themselves to be in a delimited space th
3、at was controllable and safe; these heavy walls expressed mans fear of the outer world and his need to find protection, however illusory. It might be argued that the undeveloped technology of the period precluded the construction of more delicate walls. This is of course true. Still, it was not tech
4、nology, but a fearful attitude toward the world, which made people want to build walls in the first place. The greater the fear, the heavier the wall, until in the tombs of ancient kings we find structures that are practically all wall, the fear of dissolution being the ultimate fear. Unit 7 For the
5、 Greeks, beauty was a virtue: a kind of excellence. Persons then were assumed to be what we now have to call - lamely, enviously - whole persons. If it did occur to the Greeks to distinguish between a persons “inside” and “outside,” they still expected that inner beauty would be matched by - beauty
6、of the other kind. The well-born young Athenians who gathered around Socrates found it quite paradoxical that their hero was so intelligent, so brave, so honorable, so seductive - and so ugly. One of Socrates main pedagogical acts was to be ugly and teach those innocent, no doubt splendid-looking di
7、sciples of his how full of paradoxes life really was. 0ne could hardly ask for more important evidence of the dangers of considering persons as split between what is “inside” and what is “outside” than that interminable half-comic half-tragic tale, the oppression of women. Unit 11 We should deplore
8、the disappearance of manus.c.r.i.p.ts. How can anyone, student or scholar, learn anything about the creative process from a floppy disc? Can this wobbly plastic reveal the hours, the endless hours, where beauty was born out of I its own despair (as William Butler Yeats put it) and blear-eyed wisdom
9、out of midnight oil? Manus.c.r.i.p.ts are these records of creative agony, often sweat-stained, coffee-splattered or cigarette-charred. Manus.c.r.i.p.ts tell us what went on in a writers soul, how he or she felt during the agony of creation. Manus.c.r.i.p.ts are our gift to our heritage, and we have
10、 no right to deprive future generations of learning how we think and feel, simply because we find word processing more convenient. Unit 13 A euphemism is commonly defined as an 1auspicious or exalted term (like “sanitation engineer”) that is used in place of a more 2down-to-earth term (like “garbage
11、 man”). People who 3are partial to euphemisms 4stand accused of being “5phony” or trying to bide what it is they are really talking about. And there is no doubt that in some situations the accusation is entirely proper. For example, one of the more 6detestable euphemisms I have come across in recent
12、 years is the term “Operation Sunshine,” which is the name the U. S. Government gave to some experiments it conducted with the hydrogen bomb in the South. Pacific. It is obvious that the government, in choosing this name, was trying to 7expunge the hideous imagery that the bomb evokes and in so doin
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