TOEFL托福阅读真题精选篇.doc
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1、TOEFL托福阅读真题精选篇 为了让大家更好的准备托福考试,给大家整理一些托福阅读真题,下面就和大家分享,来欣赏一下吧。托福阅读真题1PASSAGE 50The Arts and Crafts Movement in the United States was responsible for sweeping changes in attitudes toward the decorative arts, then considered the minor or household arts. Its focus on decorative arts helped to induce Unit
2、ed States museums and private collectors to begin collecting furniture, glass, ceramics, metalwork, and textiles in the late nineteenth and early twentieth centuries. The fact that artisans, who were looked on as mechanics or skilled workers in the eighteenth century, are frequently considered artis
3、ts today is directly attributable to the Arts and Crafts Movement of the nineteenth century. The importance now placed on attractive and harmonious home decoration can also be traced to this period, when Victorian interior arrangements were revised to admit greater light and more freely flowing spac
4、es.The Arts and Crafts Movement reacted against mechanized processes that threatened handcrafts and resulted in cheapened, monotonous merchandise. Founded in the late nineteenth century by British social critics John Ruskin and William Morris, the movement revered craft as a form of art. In a rapidl
5、y industrializing society, most Victorians agreed that art was an essential moral ingredient in the home environment, and in many middle- and working-class homes craft was the only form of art, Ruskin and his followers criticized not only the degradation of artisans reduced to machine operators, but
6、 also the impending loss of daily contact with handcrafted objects, fashioned with pride, integrity, and attention to beauty.In the United States as well as in Great Britain, reformers extolled the virtues of handcrafted objects: simple, straightforward design; solid materials of good quality; and s
7、ound, enduring construction techniques. These criteria were interpreted in a variety of styles, ranging from rational and geometric to romantic or naturalistic. Whether abstract, stylized, or realistically treated, the consistent theme in virtually all Arts and Crafts design is nature.The Arts and C
8、rafts Movement was much more than a particular style; it was a philosophy of domestic life. Proponents believed that if simple design, high-quality materials, and honest construction were realized in the home and its appointments, then the occupants would enjoy moral and therapeutic effects. For bot
9、h artisan and consumer, the Arts and Crafts doctrine was seen as a magical force against the undesirable effects of industrialization.1. The passage primarily focuses on nineteenth-century arts and crafts in terms of which of the following?(A) Their naturalistic themes(B) Their importance in museum
10、collections(C) Their British origin(D) Their role in an industrialized society2. According to the passage , before the nineteenth century, artisans were thought to be(A) defenders of moral standards(B) creators of cheap merchandise(C) skilled workers(D) artists3. It can be inferred from the passage
11、that the Arts and Crafts Movement would have consideredall of the following to be artists EXCEPT(A) creators of textile designs(B) people who produce handmade glass objects(C) operators of machines that automatically cut legs for furniture托福阅读真题2PASSAGE 51In 1972, a century after the first national
12、park in the United States was established at Yellowstone, legislation was passed to create the National Marine Sanctuaries Program. The intent of this legislation was to provide protection to selected coastal habitats similar to that existing for land areas designated as national parks. The designat
13、ion of an areas marine sanctuary indicates that it is a protected area, just as a national park is. People are permitted to visit and observe there, but living organisms and their environments may not be harmed or removed.The National Marine Sanctuaries Program is administered by the National Oceani
14、c and Atmospheric Administration, a branch of the United States Department of Commerce. Initially, 70 sites were proposed as candidates for sanctuary status. Two and a half decades later, only fifteen sanctuaries had been designated, with half of these established after 1978. They range in size from
15、 the very small (less than 1 square kilometer) Fagatele Bay National Marine Sanctuary in American Samoa to the Monterey Bay National Marine Sanctuary in California, extending over 15,744 square kilometers.The National Marine Sanctuaries Program is a crucial part of new management practices in which
16、whole communities of species, and not just individual species, are offered some degree of protection from habitat degradation and overexploitation. Only in this way can a reasonable degree of marine species diversity be maintained in a setting that also maintains the natural interrelationships that
17、exist among these species.Several other types of marine protected areas exist in the United States and other countries. The National Estuarine Research Reserve System, managed by the United States government, includes 23 designated and protected estuaries. Outside the United States, marine protected
18、-area programs exist as marine parks, reserves, and preserves. Over 100 designated areas exist around the periphery of the Caribbean Sea. Others range from the well-known Australian Great Barrier Reef Marine Park to lesser-known parks in countries such as Thailand and Indonesia, where tourism is pla
19、cing growing pressures on fragile coral reef systems. As state, national, and international agencies come to recognize the importance of conserving marine biodiversity, marine projected areas. whether as sanctuaries, parks, or estuarine reserves, will play an increasingly important role in preservin
20、g that diversity. ?1. What does the passage mainly discuss?(A) Differences among marine parks, sanctuaries, and reserves(B) Various marine conservation programs(C) International agreements on coastal protection(D) Similarities between land and sea protected environments2. The word intent in line 3 i
21、s closest in meaning to(D) metalworkers who create unique pieces of jewelry4. The word revered in line 14 is closest in meaning to(A) respected(B) described(C) avoided(D) created5. According to paragraph 2, the handcrafted objects in the homes of middle- and working-classfamilies usually were(A) mad
22、e by members of the family(B) the least expensive objects in their homes(C) regarded as being morally uplifting(D) thought to symbolize progress6. The word extolled in line 20 is closest in meaning to(A) exposed(B) praised(C) believed(D) accepted7. The author mentions all of the following as attribu
23、tes of handcrafted objects EXCEPT(A) the pride with which they were crafted(B) the complexity of their design(C) the long time that they lasted(D) the quality of their materials8. The word consistent in line 24 is closest in meaning to(A) conservative(B) considerable(C) constant(D) concrete9. Accord
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