张爱玲 Eileen Chang 英文介绍ppt.ppt
,Eileen Chang,Eminent families,Grandfather Zhang Peilun(张佩纶)who is a famous official of the late Qing Dynasty.Yifan,Her grandmother is the daughter of Li Hongzhang（李鸿章）,Hung Yifan（黄逸梵），She was affected by the May 4 movement and went abroad to study painting in 1920s.She was well acquainted with Xu Beihong and JiangBiWei and she has completely become a new school of women.,19201930,On Sep.30,1920,she was born in shanghai.1924,she began to accept the old-style private school(私塾教育);at the same time,began her novel creation.1925,her mother went abroad with Ailings aunt to study because of their thinking were heavily influenced by Western and because they are not satisfied with their family life.1927，when she was7,they move back to Shanghai.Zhang started to learn piano,painting and English from her mother.,childhood,19401950,In 1941,the Pacific war broke out.In 1942,Hangkang lost the war,she went back to Shanghai.In 1943,many of her novels started to be carried on every kinds of magazines and publications.The clothes she wears most of which are designed by herself,or by her best friend Yanying,because of Zhangs special tests of color and style.In 1944,she fled the war and get married with the traitors of our nation Hu Lancheng.In 1947,she divorced with Hu.1948,she began to use the pen name Liangjing to write 18 springs(later renamed as Half Life Fate)July 1950 to join the Shanghai First Literature Art World Congress.,In 1952,she went Hongkong,and required for resumption of schooling of Hong Kong university.In the autumn of 1955,by the ship named Clevelands President,to the United States.In August,1956,at the age of 36,she married her second husband 65 years old Laiya,an American.1960,she become American citizens.Between 1970 and 19800,she studied the dream of the red mansion.(红楼梦)In 1973,she settled herself in Los Angeles and dies in September 8,1995,in her apartment,that day was Chinese festival-the Mid-Autumn festival,at her age seventy-five.,19501995,Her has a special test for color and the style of clothes,thus many of her clothes were designed by herself and her best friend Yanying.,胡兰成说“将来日本战败，我大概还是能逃脱这一劫的，就是开始一两年恐怕要隐姓埋名躲藏起来，我们不好再在一起的。”张爱玲笑道：“那时你变姓名，可叫张牵，或叫张招，天涯地角有我在牵你招你。”,张爱玲与胡兰成,【know each other】On a early spring day of 1944,Hu read Zhangs novel and decided to visit her house.And he did.Then Hu regularly visited the house of Zhang Ailing.Zhang Ailing sent him photo of herself,behind wrote:Saw him,she became very low very low to dust,but she was glad,flower leaves to come from the dust.(见了他，她变得很低很低低到尘埃里，但她心里是欢喜的，从尘埃里开出花来.)This year,Hu was 38 years old,and Zhang Ailing 24 years old.【Fell in love】Hu understands Zhang Ailing,understands her noble family background of elegant and her childhood misfortune because of the generation of the thought of relished.Only a know,is perhaps the biggest reason for Zhang Ailing falling in love with him.,In August,1944,the second wife of Hu proposed to divorce him.In this way Zhang and Hu get married,for which they get no legal procedures but just a paper.This time also is Zhangs golden time of her writing career.In November 1944,Hu seperated with Zhang ailing.After went to Wuhan soon,he quickly fell in love with a 17 years old nurse Zhou XunDe in Hanyang Hospital.Besides that Hu has all eight lovers.The last one is named She Aizhen,who companies Hu till death.,【broke up】In June 1947,Hu received Zhang ailings farewell letter,which indicates she was resolved to get rid of him.我已经不喜欢你了，你是早已经不喜欢我的了。这次的决心，是我经过一年半长时间考虑的。彼惟时以小吉故，不欲增加你的困难。你不要来寻我，即使写信来，我亦是不看的了。张爱玲曾对胡兰成说：“我将只是萎谢了。”萎谢的不仅是爱情吧，还有文采，此后张爱玲的创作也进入了低谷。他是招人爱的，否则张爱玲不会爱他；然而他又是 招人恨的，因为他爱上了太多别的女人。他是个泛爱主 义者，但是他对每个女人都是真诚的。至少，他对张爱玲是坦诚的。张爱玲一剧导演,浮花浪蕊，五四遗事，一经提来多少恨，误入连环套，古今无数痴怨女。燎一壶、沉香屑，却闻茉莉香。绣鸾付与鸿鸾禧，一生只候半生缘。只一桩、戒色。琉璃作瓦，金锁曾记，聚少离多年青时。且品桂花蒸，人生几何倾城恋。撷几枝、郁金香，但见花凋色。心经读罢燃红烛，红烛泪下小团圆。吟几段、留情。茉莉香片，色戒，琉璃瓦，金锁记，年青的时候，桂花蒸阿小悲秋，倾城之恋,Her writing style:With her father who is obsessed with traditional thoughts,and a mother who was absorbed many Western thoughts,Zhang Ailing was familiar with the Dream in Red Mansions and has studied in abroad,and apart from that,that time was in war,her complex child life and marriage life also contributed a lot to build her writing style.Her works occupy a unique female perspective and have a delicate and acute stroke.You can enjoy the stream of gorgeous words but in melancholy.A clear and complicated relationship between characters always can been found in her works,due to her accurate description and understanding of the psychological activities of characters.,well-known saying,1.于千万人之中，遇见你要遇见的人。于千万年之中，时间无涯的荒野里，没有 一步，也没有迟一步，遇上了也只能轻轻地说一句：你也在这里吗？2.我要你知道，在这个世界上总有一个人是等着你的，不管在什么时候，不管在什么地方，反正你知道，总有这么个人。3.也许每一个男子全都有过这样的两个女人，至少两个。娶了红玫瑰，久而久之 红的变了墙上的一抹蚊子血，白的还是 窗前明月光，娶了白玫瑰，白的便是 衣服上的一粒饭粘子，红的却是心口上的一颗朱砂痣。4.一个女人蓦地想到恋人的任何一个小动作，使他显得异常稚气，可爱又可怜。她突然充满了宽容无限制地生长到自身之外去，荫蔽了他的过去与将来，眼睛里就许有这样苍茫的微笑。5.很多我们以为一辈子都不会忘记的事情，就在我们念念不忘的日子里，被我们遗忘了。6.如果你认识从前的我，你就会原谅现在的我。7.因为懂得，所以慈悲。8.喜欢一个人，会卑微到到尘埃里，然后开出花来。,起初不经意的你 和少年不经世的我 红尘中的情缘 只因那生命匆匆不语的胶着 想是人世间的错 或前世流传的因果 终生的所有 也不惜换取刹那阴阳的交流 来易来去难去 数十载的人世游 分易分聚难聚 爱与恨的千古愁 本应属于你的心 它依然护紧我胸口 为只为那尘世转变的面孔后的翻云覆雨手 于是不愿走的你 要告别已不见的我 至今世间仍有隐约的耳语 跟随我俩的传说 滚滚红尘里有隐约的耳语 跟随我俩的传说,滚滚红尘,Thanks,
